Showing posts with label 14th arondissement. Show all posts
Showing posts with label 14th arondissement. Show all posts

Friday, July 30, 2010

Cimetiere du Montparnesse.

Located in the shadow of Tour Montparnasse, Cimetiere du Montparnasse offers a tranquil escape in the heart of the busy 14th arondissement. Opened in 1824, this cemetery is home to thousands of luminaries, many of the literary ilk. I arrived late on a Friday afternoon and didn’t realize that many of the grave sites were marked or that a map was available until the bell rang for closing at 6. I stumbled upon the tombstone of the famous French poet, Charles Baudelaire, and was struck by the lovely assemblage atop his tomb. A potpourri of roses, flower pots, and handwritten notes held in place by rocks was sweet yet melancholy. Apparently Baudelare, who died in Paris at the age of 46, was plagued through his life by despair and financial difficulties. At first, I hesitated to open the notes, but then decided that a quick read was permissible. The first, written today: “Quand j’ai trouve votre livre ‘Fleur du Mal’ sur le pont St. Louis, J’ai senti le distin. Vous n’etes pas mort. Vous vivez dans mon Coeur. Je t’aime. Loosely translated: “When I discovered your book ‘The Flowers of Evil’ on the bridge St Louis, I felt my destiny. You are not dead. You live in my heart. I love you.” Another, written yesterday: “Je vous etre ecrivain plus tard comme vous! Vous avez laissez beaucoup de beaux poemes!!! Avez le grace de Dieu soit avec vous!! De tout mon coeur!” Loosely translated: “I will be a writer later like you! You have left many beautiful poems!!! May the grace of God be with you!! With all my heart!” There is a real appreciation and warmth in these little notes held in place by rocks atop the famous poet’s tombstone. Reading about Baudelare, I discovered that he had a real affinity for Edgar Allen Poe with whom he found a kindred spirit whose concept of beauty was closely connected with melancholy, happiness and regret. This little assemblage atop his tombstone, sweet yet melancholy and hardly any regret.

Cimetiere du Montparnesse, Boulevard Edgar Quinet. [14e.]
Metro: Edgar Quinet.

Thursday, July 15, 2010

Flea Market Finds: Porte de Vanves.


Looking for bargains. Head out on Saturday or Sunday morning to the weekly flea market at Portes de Vanves. Right around the corner from the metro stop, it spans two streets. I arrived early either hoping for a bargain or to beat the crowds. Albeit, I am not an ardent flea market shopper, but I am curious. Crowds were light early in the morning. Scanning the first table, I noticed items as diverse as cigarette lighters, pens, pocketknives, watches and rosary beads. Buttons and pillboxes were also proudly featured. The French fascination with postcards was apparent: they were stacked, boxed, displayed in books and old wash bins. Book titles included “Les Plantes de Monde” and “Le Elephant de Mer,” loosely translated as “Plants of the World” and “Elephant of the Sea.” Not enough to intrigue me to open them. Lots of empty picture frames, some very interesting, to display your art treasures. Some jewelry, not always moderately priced. I looked at a ring priced at 590e. That one was protected behind glass. Another table included an affiche, “20e au choix,” meaning you had your choice of any item for only 20e. Unfortunately, old keys didn’t interest me. While I didn’t buy I’ve heard that bargaining is expected, and bring lots of cash, credit cards aren’t accepted.

Open Sat and Sun 7 am to 1 pm.
Metro: Portes de Vanves [14e].

Sunday, July 11, 2010

Small Trades.


An exhibition of Irving Penn’s photographs dating back to 1950-1951 is on view at the Fondation Henri Cartier-Bresson. “Small Trades” is a series of photographs of individuals in their work clothes and adornments. Taken in the natural light of his studio instead of their work environment, Penn hoped to introduce an essential equality between them. Penn used the studio not to isolate, but to transform. Penn’s interest in the project started with a growing awareness that in the post World War II environment, many of these occupations would soon disappear. Penn’s photos are marked by the simplicity and rigor that are trademarks of his style at Vogue. Taken in Paris, London, and New York, photographs of the same tradesman or woman are, not surprisingly, very different. Some of the trades have quietly endured: newsman, mailman, plumber and nurse. Their tools of the trade vary, however. Others have gone extinct: coachman, organ grinder and tinsmith (I laughed at that one.) I am not sure if the Rag & Bone Man, London 1951, still exists today. May have to go to London to find out.

Fondation Henry Cartier-Bresson
2 Impasse Lebouis [14e]
www.henricartierbresson.org
Irving Penn, "Les Petits Metiers" through July 25th